Author: Umair Abbas

 The latest episode of Tan Man Neel o Neel kept viewers hooked, stirring together all emotions from beginning to end with powerful performances and a gripping storyline. 

The interaction between Ehsaan and Sonu’s mother, played by Naumaan Masood and Samiya Mumtaz, respectively, was particularly memorable and heartwarming. The two characters calmly discuss their past and how much time has passed. They agreed to move on for the sake of their children, but despite the tension, they both remained composed in the moment. 

For a while, it seemed they had truly moved on, but by the end of the scene, it became clear they hadn’t. Ehsaan’s emotional breakdown outside Sonu’s house, along with Sonu’s mother quietly collapsing in her chair, was one of the most heartbreaking and raw moments in the series so far. 

The episode also revealed that Ehsaan has been helping Ladoo’s (Arsal Khan) mother, though they’ve never had a romantic relationship. 

Mehnaz, portrayed by Nadia Afghan, creates a simple yet beautiful moment as she retrieves warm clothes from the attic. The unique setting highlighted the drama’s attention to detail. 

Kami, played by Usman Javed, is still trying to earn forgiveness from Rabi, played by Sehar Khan, but she isn’t letting him off the hook so easily. When Kami apologises for publicly accusing her, Rabi firmly demands that his apology should also be public in front of their family. Her confidence and refusal to accept disrespect are refreshing and empowering. 

The bond between Sonu and Moon, played by Shuja Asad and Ali Ammar, respectively, remained strong in this episode, with their scenes radiating warmth and love. 

It also appears that the darker aspect of the story is also developing as Rao Kashif and Bau Qaiser, played by Saife Hassan and Saleem Mairaj, are now working together. Their manipulative use of Moon for their political agendas threatens his chances of achieving justice, leaving viewers wondering what will happen next. 

In a lighter moment, Rabi teased her mother and shared the good news that her father would no longer force her to marry Kami, ending the episode on a happy note. The chemistry between mother and daughter provided the perfect conclusion to the episode. 

This episode of Tan Man Neel o Neel delivered a perfect mix of emotions, heartfelt moments, tension, joy, and sorrow. Directed by Saife Hassan and written by Mustafa Afridi, it continues to captivate its audience.

Actor Adnan Malik has shared a personal video of himself crying on his Instagram account, while talking about an often-overlooked topic in the caption: the inner child.

In the post on his other public Instagram account, In Presence with Adnan Malik, he wrote, “My inner 11 year old self needed to cry today. He found himself in an old, familiar space of unsafety where his feelings and emotions weren’t safe to be expressed. He felt cornered, gaslit, unseen and trapped by a familiar drama triangle that he never consented to be a part of.”

Reflecting on the impact of societal expectations on emotional expression, the Sadqay Tumharay actor pointed out the general response towards emotional expression, “At the end he was told “you’re too sensitive.”

Malik went on to share how he found peace and healing, “My adult stepped in, set a boundary and asked the other person to leave the room. He then embraced the inner child and took took him into a safe space where he invited his grief.”

The Cake actor found comfort in his vulnerability.

“All of me broke down in empathy and harmony. Your sensitivity is your superpower your sensitivity is a gift to the world your sensitivity is what makes you, you.” The adult reassured my inner child. And we all cried together some more. A grief ritual with all my parts”, Malik said.

He reflected on his experience at the Resistance and Acceptance Men’s Work Retreat, where many men shed tears and shared their experiences in a collective expression of healing.

“I’m sharing this here because I want to help dispel the myth that men can’t cry. That men have to hold back their emotions. That it’s not “masculine” to cry”, Adnan Malik explained.

For Adnan Malik, crying is not a sign of weakness but a portal to healing, “Crying is my portal to healing. It’s a super-power. To allow my heart to be penetrated. Like a powerful storm that makes the emotional landscape fertile again”, he added.

Adnan Malik called on people, encouraging them to be unapologetic in their emotional expression, “Cry with me my brothers, sisters and fellow beings. Let’s remove the shame around tears and grieve together to rejuvenate ourselves and the planet. To heal the pain and the grief and the injustice. Crying isn’t a sign of weakness.

It’s a reminder that we are alive.”

His post has received a number of responses from netizens, including celebrities, praising him for opening up about being okay with emotional expression.

Over the past few years, Pakistani dramas have evolved from being just traditional storylines to raising important social issues, most of which have gone unspoken for far too long.

With a strong storyline and powerful performances, these dramas touch everything from the plight of Afghan refugees to the horrors of mob violence, corruption and assault; sparking meaningful dialogue and addressing topics that have been ignored for far too long.

Kabli Pulao

For instance, Kabli Pulao brought to the table more than a love story. It featured the cast as Afghan refugees that have been in Pakistan for more than five decades. Beautifully portraying the issues instead of targeting anybody, it shed light on an important issue.

Jo Bichar Gaye

Similarly, Jo Bichar Gaye explored the tragic events of 1971. While the story was told from Pakistan’s perspective, it dared to approach a sensitive historical event that’s not normally talked about, encouraging the audience to reflect on the pivotal chapter in South Asian history.

Mann Jogi 

Mann Jogi covered the controversial practice of Halala, how it is misused in Pakistani society. However, the drama went further and showed the rise of mob violence and political manipulation and how both religious figures and law enforcement could play a role in eliminating these from society.

Nadaan 

Nadaan was another drama that depicted themes such as religious exploitation, mob violence, intolerance, metal health, corruption in police and politics, drug addiction and trafficking.

Mrs. & Mr. Shameem

Another show, Mrs. & Mr. Shameem, was initially rejected by a major channel but later aired on Zee5’s YouTube channel. It dealt with issues like AIDS, infertility and gender-based abuse, doing so with compassion and depth. It focused on how these issues impact both the victims and their family.

Zard Patton Ka Bunn

Zard Patton Ka Bunn also addressed pressing social issues, including overpopulation and the absence of primary healthcare as well as elementary education for kids in rural Pakistan.

Guru

Another drama, Guru, highlighted the struggles of the transgender community, and how they were overlooked by the society as a group. Ali Rehman Khan’s performance as Guru was outstanding and brilliant, showing the emotional and societal challenges faced by transgender persons in Pakistan. 

Tan Man Neel O Neel 

Similarly, Tan Man Neel O Neel is a new drama that is already grabbing attention with its story and important themes, promising to offer yet another gripping narrative this season.

While these dramas show that Pakistan’s TV landscape is evolving, venturing from pure entertainment to educating viewers and sparking meaningful discussions, it is also clear that the industry has decided to no longer shy away from tackling difficult subjects and breaking taboos one story at a time.

 If you are planning to attend Coldplay’s highly anticipated concert at Zayed Sports City, Abu Dhabi, here’s everything you need to know. The global favourite band will perform as part of their Music of the Spheres world tour, with shows starting from January 09 to 14 January 2025.

 However, some Pakistani fans are facing a frustrating problem with visa issues, making their dream of attending the concert difficult.

Why are Visas being rejected?

Although the UAE government hasn’t officially banned visas for Pakistan national, challenges remain in obtaining one. During a Senate Standing Committee meeting, Senator Zeeshan Khanzada revealed that UAE visa restrictions are mainly due to a drop in demand for unskilled labor, not skilled workers. However many Pakistani travelers still face uncertainty, with visa approval chances being only 50-50.

The Current reached out to a travel agent, who explained the process of getting a visa to attend Coldplay’s concert in AbuDhabhi.

 He stated that applicants need to provide a passport scan, CNIC, one picture, hotel reservation, and an original Emirates flight ticket. The visa fees is PKR 33, 400 and is nonrefundable.

However, the agent emphasized that even after fulfilling all these requirement, getting the visa is not certain. There is a 50-50 chance for approval.

Fatima, die heart fan of Coldplay, expressed her frustration to The Current. She bought two ticket for 450 dollar but faced heartbreak when her visa application was rejected twice.

Frustrated by visa troubles, fans are now selling their tickets online.

 One fan posted on Facebook saying, “Hi! I have 3 tickets for coldplay abu Dhabi 12th Jan! Can’t attend myself because of visa restrictions. DM me for details.”

 If you’re planning to go, make sure you meet all travel requirements and prepare for potential visa challenges.

Fans in Pakistan are rushing to secure visas, while tickets for Coldplay’s Abu Dhabi concerts continue to sell quickly. If you’re planning to go, make sure you meet all travel requirements and prepare for potential visa challenges.

 Earlier, British rock band Coldplay’s upcoming tour of India has triggered a police investigation and dismayed fans after scalpers bought up cheap tickets to resell online for more than $1,000 apiece.

Thousands of music fans tried and failed to buy tickets for three concerts scheduled in financial hub Mumbai next January, sold by popular Indian online ticket portal BookMyShow.

All three shows sold out in minutes, and those who missed out were infuriated when they saw $70 (6,000-rupee) tickets appear on resale websites at vastly inflated prices.

Is the wait finally over?Beloved actress Neelam Muneer Khan has officially kicked off her wedding festivities, sharing beautiful videos and pictures of her Mayoun outfit.

 To clear up the growing curiosity surrounding the question of whether she really is getting married or not, The Current reached out to Neelam Muneer’s PR manager, Kiran Raza, who confirmed that the actress got married on December 12, 2024. She also revealed that her groom is not from the entertainment industry.

On January 02, 2025, the Kahin Deep Jaley actress posted pictures of herself shining in a yellow dress with the caption, “So here it begins – Wanted an intimate Mayoun Night for myself!

The announcement comes after weeks of rumors that she will be married by the end of 2024.

Interestingly, in an Ambrilin by Caviar podcast, the Wrong No 2 actress had denied any immediate plans for marriage.

We can’t wait to see who the lucky man is?

 Earlier, Neelam Muneer, a talented actress known for her roles in dramas and films, is now on the lookout for her perfect match, as revealed by her mother on a recent show.

Neelam and her mom were invited as guests on ‘Hasna Mana Hai,’ where her mom talked about the struggles she has seen in life.The host asked, “Can you tell us, Neelam, you were only three years old when your father passed away? And how your mother encouraged and supported you since then? Did you ever feel like giving up or did you always want to do what you wanted?”

Neelam Muneer has previously worked in hit dramas like ‘Dil Mom Ka Diya’, ‘Kaise Hoye Benaam’, ‘Thoda Sa Aasman’, ‘Meri Subah Ka Sitara’, ‘Aankh Macholi’ and ‘Bojh’.

Today, on December 25, Pakistan celebrates the 148th birth anniversary of Quaid-e-Azam Muhammad Ali Jinnah, the founder of the nation.

 This is a great time to look back at films that show his inspiring life and vision. These movies honor Jinnah’s leadership, struggles, and his efforts to create a separate homeland for Muslims, keeping his legacy alive for future generations.

One of the most iconic films about the father of the nation is Jinnah (1998), directed by Jamil Dehlavi. The biographical drama stars Christopher Lee as Quaid-e-Azam Muhammad Ali Jinnah and narrates his journey from his early days as a lawyer to becoming the founding father of Pakistan. 

The film shows Jinnah’s strong will and the challenges he overcame to unite the Muslim community and achieve independence. Written by Akbar S. Ahmed, Farrukh Dhondy, and Jamil Dehlavi, Jinnah is a powerful movie that highlights the great sacrifices made during the Pakistan Movement.

For television audiences, Jinnah Se Quaid Tak is a popular drama that aired on PTV, showcasing the transformation of Jinnah from a successful barrister to the leader of a revolutionary movement.

With detailed storytelling, this series brings to life historical events, emphasizing his dedication to Pakistan’s creation. It’s directed by Mohsin Ali.

Another tribute to Jinnah’s legacy can be found in documentaries such as Quaid -e- Azam: Founder of Pakistan.    

This documentary provides a comprehensive look at his personal life and political journey, using archival footage and expert interviews to offer viewers a deeper understanding of his vision for a progressive and united Pakistan.

These films and dramas are a testament to the richness of Pakistani cinema and television in depicting patriotism and the spirit of independence.  

They remind us of Jinnah’s dream of a nation built on unity, faith, and discipline.

As we honor Quaid Day, exploring these cinematic works is a meaningful way to connect with the history of Pakistan and to pay tribute to the man whose relentless efforts made this country a reality.

 The UCP Film Festival has established itself as a vital platform for aspiring filmmakers in Pakistan offering opportunities to showcase their creativity and engage with industry experts.

 Organized by the University of Central Punjab by the Faculty of Media and Mass Communication (FMMC), this year’s festival brought together filmmakers, students and professionals to celebrate the art of storytelling.

Now in its fourth year, from December 19 to 20, 2024, the festival has grown significantly since it started in 2021. It was launched under the supervision of Dr Fawad Baig, Head of the Department of Media and Mass Communication, and supported by a dedicated team, including Mr Kamran Butt, Miss Momina Abrar Khan and Mr Nasir Ali Mazari.

Mr Syed Ali Mazhair who served as the team management head alongside Mustafa Imran. Together, their efforts have contributed to the festival’s evolution into a nationally recognized event.

This year, the festival received a total of 60 entries across three categories: Music Video, Documentary and Short Films. Submissions came from 14 universities, including international submissions from the UK and Iran. The diverse range of films reflected a variety of genres, themes, and cultural perspectives, providing a rich viewing experience for attendees.  

The Current also had the opportunity to speak with renowned writer and columnist Amna Mufti, who shared her vision for the festival and its role in nurturing emerging talent.

“I’ve seen some amazing films with great stories, direction, and production – everything was top-notch. The young filmmakers winning awards today will soon be seen at Cannes and the Oscars, and they will go even further,” Amna Mufti said.

Prominent speakers such as senior TV producer Hafeez Tahir, and director, cinematographer Humza Yousaf led an insightful panel discussion. They addressed creative challenges in converting stories into screenplays, the evolving landscape of filmmaking, and the importance of mentoring new talent.

 The UCP Film Festival 2024 also celebrates outstanding achievements in filmmaking by presenting awards in various categories to the winner.

Documentaries

 Waiting across the borders – Shahnawaz Ahmed Khan (NCA)

Music Video

 Guroor – Abdul Rehman Shah (NCA)

 Short Film

 Pisho – Aun Ul Haider (Iqra University Karachi)  

The organizing team also included Mr Omer Saeed Qureshi, Mr Hamza Ayub, Miss Marium Idress, and Muhammad Shahid, who contributed significantly to the event’s management and execution.

By giving emerging filmmakers a platform to showcase their work, the festival has not only discovered new talent but also played a key role in shaping the country’s cinematic identity.

The UCP Film Festival is more than just a competition it’s a hub for collaboration and learning. Its inclusion of international films shows its growing reach, and its focus on providing opportunities for young filmmakers highlights its importance to Pakistan’s film industry.