Tag: Pakistani dramas

  • ‘The biggest mistake parents make is not teaching their daughters about their rights’ Komal Rizvi opens up about domestic abuse in her first marriage

    ‘The biggest mistake parents make is not teaching their daughters about their rights’ Komal Rizvi opens up about domestic abuse in her first marriage

    Singer and actress Komal Rizvi was a guest on Nadir Ali’s podcast where she opened up about her abusive first marriage and how she managed to escape it.
    Recalling her past, Rizvi revealed that she was quite naive at the time she got married, as she was only 21 years old and this was a semi-arranged marriage for which she had been given only four months to accept the propsal. The actress had lived in Dubai for a year, and later shifted to Oman when the beatings began, getting worse to the point that even the police had to be called.


    “I was 21 years old when I had gotten married, so I was very young… When we lived in Oman, I didn’t have any family or friends that I could escape to, and my ex-husband never gave me any money to keep me under his control. One time, I called the police on him when he was beating me. But instead of taking action, they dismissed it as a domestic problem and left, leaving me completely alone with him.”

    Recalling what she had learned from her past ordeal, after getting a divorce four years later, the actress said she wished more parents would educate their children about understanding boundaries, because her husband would psychologically abuse her to believe the beatings she was receiving were her own fault.

    “Women from the start in our society are told that they will have a beautiful wedding, after which they will have a husband who will take care of all of their needs. Which is why, so many women are willing to give their 200% in order to make their marriages work. But I detest that we never teach women about the importance of establishing boundaries, that let alone their husband, no man can cross. Which is the thing I regret the most because then I would not have wasted three and a half years trying to make my marriage work. My husband would play all sorts of mind games to gaslight me and make me feel like I am responsible for the beatings because I made him angry. For instance, he would say ‘it’s your fault that you served me with cold food, so I hit a frying pan on your head.’ I kept believing that if I loved him better or worked harder, he would be proud of me.”

    Rizvi especially emphasized how important it is that women are emotionally strong and be vary of men who try to encourage them to abandon their careers and dreams, because this is how her husband treated her.

    “Men like my ex-husband, who are psychopaths, especially try to ensure that they trap the girl to prevent her from escaping in any way. They go after girls like me who were quiet independent and successful, and ask her to abandon all of this in order to become a wife. They want a simple, meek girl who has no independence or opinions of her own, so they can bend her in to two pieces.”

    After escaping her abusive marriage, Rizvi recalled that it was incredibly difficult to be happy and come out of her dark hole, and said that it’s important that society helps women understand that their life isn’t over after a divorce, and provide them with the support system and care one needs.

    ‘Because I was very young when I got divorced. I used to think ‘Oh my life is over! Who would marry me?’ Now I look back and I’m shocked that I said things like this because I remind myself today that I still have a long way to go!” joked Rizvi.

    On the lesson she wished parents, and especially men, would take away from her revelation, Rizvi said that men need to learn to respect women, and ensure that when they’re bringing a woman who had a lot of protection when she lived with her parents, ‘Make sure you provide her the same amount of honor, respect and love. And when she becomes the mother of your children, provide her with twice the amount of love and care than you usually gave.”

  • In its first episode, Sar-e-Rah salutes female taxi drivers

    In its first episode, Sar-e-Rah salutes female taxi drivers

    Pakistani dramas aren’t the first place to turn to if we happen to be looking for entertainment, but it seems like the tide is finally turning. After the ever popular Kuch Ankahi, ARY’s new drama Sar-e-Rah, is exploring the issues faced by women in this society. In its first episode it welcomes female taxi drivers to public spaces.


    The drama explores the lives of four women and an intersex man, and the struggles they face in society. This episode opens with the life of Rabia, a woman who has been waiting for five years for her aunt and fiance Faraz to finalize her wedding date. When her father, the head of the family, suddenly has a heart attack and it begins impacting the family’s household expenditure, Rabia decides to follow his footsteps to become a taxi driver.


    The episode wasn’t afraid to explore the kind of push back and harassment women face at the hands of men when they venture in to public spaces. In one scene, a customer arrives as Rabia’s car and notices that a woman driving . He starts exclaiming “God’s wrath is upon us!” and walks away muttering that this was a sign of the Day of Judgement. Rabia’s family members, especially her fiance, taunt her with the age-old saying ‘Log Kya Kahengee’ if a woman is boldly stepping out in the streets to make an earning. To whom Rabia gives a powerful response by reminding them that no one is more honorable than a woman who chooses to look after her family by making an earning.

    Twitter users are already fans of Saba Qamar’s powerful acting, calling it a well needed show that has arrived at the right time.
    “I’m very excited about Sar e Rah and the engaging, progressive and uplifting narrative it has taken off with. So many issues are being addressed in a natural and (so far) non preachy or patronising way. Can’t wait for the next episode,” wrote drama critic Aamna Isani.

    “Such a unique & powerful concept. This show is giving OG Pakistani show’ vibe . Hats off to #SabaQamar for always trying to do something different,” another user wrote.

    Users especially showered praises on a powerful scene where a customer guides Qamar’s character to never be afraid to charge her customers the price she deserves, and also reminds her to keep her confidence strong and stare back at the same men leering at her.

    We had been waiting for a long time to see Pakistani dramas get on with the times and start wriiting stories that reflected the lives and struggles of women in Pakistan, and it seems like that time has arrived. The drama is a breath of fresh air for welcoming female taxi drivers in to the public sphere, and we are anticipating how it will play out in the next few episodes!

  • Why are humiliation nikkah’s a relevant part of Pakistani dramas?

    Why are humiliation nikkah’s a relevant part of Pakistani dramas?

    The year is 2023. The Pakistani entertainment industry is as terrified of a woman who exercises her own free will and independence, as it was in 1973. After encouraging the bitch and bechari trope, the gold digger, the women fighting over a man trope, here comes another interesting plot device to keep viewers entertained: humiliation nikkahs.

    What is this term and why do we bring this up? Humiliation nikkahs is a trope that are apparently suppose to make the enmity to lovers story even more spicier, simply by pressurizing the girl to marry the man for the sake of keeping her izzat intact. Bring up an excuse like the man the woman was suppose to marry bailed, and what could be more precious for a woman than diamonds, jewelry or a worthwhile lifestyle? Her honor! Because dear children, if a woman has no honor, punish her by marrying her off instantly to a stranger, popping out a ready made husband good to go!

    Recently, the drama Mujhe Pyar Hua Tha has been gaining a lot of attention on social media because of Wahaj Ali’s brilliant performance, but his smolder and Nice Boy™️ vibes isn’t enough to divert us from the regressive story line. A love affair is stopped because women do not appreciate caring and nice boys apparently. From the start, the drama keeps us invested in the love story between  two cousins (not enough coffee on this planet to get in to how messed up this is). The male lead, Saad (excellent name choice, five points for the writer) is the good boy next door. He’s the one who has always listened to your problems, is only a call away when you need to go out, but not the one you want to fall in love with. . He’s Devdas without the dimples or the long hair strand in front of the face, but the slouch who moans about no one liking him.

    Then there’s the girl, Meerab, who is vain, self-centered, and consistently ignoring Nice Boy’s™️ kindness. She also taunts him for not doing enough when in the first episode, she chastises Saad for not owning a nice enough car and making her late to her cousin’s wedding. Meerab falls in love with a rich man Areeb, for which she is repeatedly condemned by her family, because she begs them not to force her to marry Saad, the man she had literally grown up next to. She and her mother are painted as villains in the drama because of their aspirations to marry above their station.

    But what possible flaw could Saad have, aside from the fact that he is literally her blood relative? He’s the Nice Boy™️! Could it be perhaps that she doesn’t owe to him that she gives up her independence simply because he loves her? Or perhaps she has different desires than what Saad is offering her, and would like to have a wealthy and luxurious lifestyle? But by the end of the day, Meerub is a selfish, manipulating bitch for wanting more than just a mere home, and Saad is the Sad Boy who got played with because for once, a woman reminded him that she doesn’t owe him anything.

    And then we come to the part that has inspired this rant: the shotgun wedding that is apparently the genius twist used to put two enemies together. Apparently the writer thought they were one-upping the great minds of writers like Agatha Christie or Emily Henry, who couldn’t write a better love triangle than forcing a woman to quickly marry her cousin because log baatien kar rahay hain? One would have to question why do television shows still presume that a woman’s honor and respect is completely destroyed when they are raped or assualted,  but there is never a question about the man’s sense of respect. Especially in a country where more women are beaten or murdered by family relatives because they made videos on Tik Tok or even rejected a man’s proposal, this kind of message actively perpetuates the ever present misogyny women in Pakistan still deal with.

    ‘Log Kya Kahengee’ is a mantra women have been sacrificing their dreams and existence to, and it’s shameful that to this day, drama creators cannot recognize how damaging their depictions can be for women trying to survive in Pakistan.

    The humiliation nikkah isn’t brand new, but a beloved trope. Popular dramas like Chupke Chupke abruptly put the opposing lovers together without any proper chemistry because it was another great idea hatched by respectable elders. Dear children, marriage is the magic wand that magically evaporates any anonymity or prejudice two people who never have interacted before in their lives might have, and then suddenly they’re the new Majnu Laila in town. Chupke Chupke executed this trope in a brilliant manner. Faaz and Meenu, the opposites in the Hum Tv Ramzan drama, had never interacted before, and were also STUDENT and TEACHER before this happened. Meenu tragically happened to have been engaged to a con-man, who was quickly caught by the brilliance of family members who were pushing her to get married in the first place. In a stroke of brilliance, they quickly decide that Meenu must marry her cousin, and teacher, Faaz Ibrahim, to save her respect. Before Faaz can even interject with some logic, Meenu’s brother quickly shushes him by reminding him ‘Meenu ki izzat ka sawal hai.’

    Because worse than marrying the wrong man or even being abused and humiliated in a toxic relationship, is getting bailed on your wedding day.

    What’s more worrying to witness is how the humiliation nikkah trope is supposed to be a way writers are trying to convince the audience that a toxic male lead, who repeatedly stalks, harasses and crosses boundaries with a woman, is actually truly in love with her. Taking an example of the ever green Ishq Hai where Danish Taimoor”s character is driven to madness when he realizes that the woman he loves (played by Minal Khan) is getting married to someone else. So he kidnaps her, drives her to an isolated home, where he holds a gun to his head and threatens this woman that she must marry him, or he will kill himself.

    Swoon, right? Shah Rukh Khan should take notes. He only gently reminded his female lead that he wouldn’t force her to run away with him, because he loved her too much, and would never want her to live a life of shame and cut off from her loved ones.

    But what’s going to change by shouting our frustrations in the air this way because by the end of the day, this is the same entertainment industry willing to demonize Aurat March as a Western agenda movement, designed to break apart the family system.

    The family system, that is maintained because women have kept quiet for centuries about being abused, mistreated, cut off from their family members, forced to clean and cook for the entire household, will suddenly collapse overnight because one girl made the choice to marry according to her own free will.

    We sincerely hope that Pakistani drama creators would maybe stop chasing their own tales and spinning out the same regressive storylines, and maybe for once, listen to the women living in Pakistan, who deserve much better than consistently being denied their humanity and self worth.

  • Imran Ashraf calls out click baiter for misleading posts

    Imran Ashraf calls out click baiter for misleading posts

    Actor Imran Ashraf took to his Instagram stories to react to a viral Youtube video about his wealth. The Youtuber has grossly exaggerated and fabricated Imran’s actual assets. The video also claims that Imran owns a Lamborghini car, which caught Imran’s attention. The Dum Mastam hero reshared a screenshot of the video and stated, “Oh Allah, make me as rich as these Youtubers believe me to be.”

    “I feel like taking a loan from myself after watching my supposed wealth in the video,” concluded Imran.

    Earlier the Ranjha Ranjha star called out a YouTuber who used misleading click-bait thumbnails of his blockbuster drama Raqs-e-Bismil. The Alif Allah Aur Insan actor shared a hilarious thumbnail in which a YouTube revealed the ‘supposed’ season 2’s snippet featuring Zohra with a child and Moosa by her side. He added a humorous caption, “Is bhai nai to bana bhi diya”.

    He also shared a fake thumbnail about the teaser of the last episode which suggested that his character, Moosa will die.

  • ‘Wholesome and endearing’; twitter users are already in love with the drama ‘Kuch Ankahi’

    ‘Wholesome and endearing’; twitter users are already in love with the drama ‘Kuch Ankahi’

    The ARY drama ‘Kuch Ankahi’ debuted on Sunday with a star studded cast including Sajal Aly, Bilal Abbas Khan, Shehryar Munawar and Mira Sethi. The drama’s plotline revolves around the lives of three sisters and their family.
    In the first episode we get to see the family prepare for the future in-laws of the elder sister Samia (played by Mira Sethi), while the middle child Aaliya (played by Sajal Aly) is a powerful real estate agent who is trying to secure a client. The youngest child Taniya (played by actress Qudsia Ali) loves teasing her mother and keeps urging her elder sister not to marry her future husband Saif-ul-Rehman (played by Ali Safina) as he has kept her waiting for three years to secure the proposal.
    On its debut, it has secured itself among the top trending hashtags in Pakistan.

    Twitter users love the calming vibes of the show, and are calling it a fresh, progressive start for 2023 where a show centers around the bond between three women who stick with each other in the toughest of times.

    https://twitter.com/koilak2/status/1612296720037068801?s=20&t=kck6Zkw2O0kJHjftU0Ocnw

    Fans are also applauding the amazing chemistry between Aaliya and Salman (played by Bilal Abbas) who are both rival real estate agents trying to secure a wealthy client.

    https://twitter.com/fIwrluvr/status/1609907222645207040?s=20&t=kck6Zkw2O0kJHjftU0Ocnw

  • ‘The Legend Of Maula Jatt’ set to release in India?

    ‘The Legend Of Maula Jatt’ set to release in India?

    The Legend of Maula Jatt headlined by Fawad Khan, Hamza Ali Abbasi and Mahira Khan is by far the most expensive film to come out of Pakistan. The film opened to packed houses on October 13th and continues to earn over 200 crores globally.

    In December 2022, Pinkvilla reported that Bilal Lashari’s blockbuster was set to release in India on December 30th after gaining massive appreciation from countries worldwide.

    However, Hindustan Times has reported that the film will not release in India. It was earlier speculated that the Pakistani film’s screening has been stalled indefinitely.

    “We have been informed by the distributors that the film’s release has been postponed. We were told this two-three days ago. No further date has been shared with us,” a PTI report quoted an INOX official as saying.

    The official added, “Zee Studios had acquired the rights of The Legend of Maula Jatt as they were expecting the film to do well. But because of the resistance from certain sections, the decision was made to not release the movie.”

    Maharashtra Navnirman Sena (MNS) leader and president of their cinema wing Ameya Khopkar tweeted about the cancellation of the release of The Legend of Maula Jatt and wrote, “Impact Of Raj Thackeray’s Warning! After the warning given by MNS, the screening of the Pakistani film ‘The Legend of Maula Jatt’ has now been completely cancelled. Not only in the state but also anywhere in the country, this film will not be released anymore.”

    He added, “Again, if anyone has feelings of love for Pakistani artists, then this one warning is enough for them. Heartfelt congratulations to all my colleagues for this victory of the MNS movement.”

    Previously, Bollywood Hungama had reported that the release has been stalled for the unforeseeable future. A source close to the development revealed, “Zee Studios had already acquired a clearance for The Legend Of Maula Jatt from the Central Board of Film Certification. But on Monday the CBFC recalled the film.”

    Since 2019, there has been a cultural exchange ban between both India and Pakistan. But still, some of India’s Punjabi films managed to release in Pakistan.

    Bilal Lashari’s directorial film has set high records not only in domestic cinemas but also in America, Europe and Gulf markets.

    Previously, Jawani Phir Nahi Aani 2 was the highest-grossing film in Pakistan that earned PKR 73 crore globally. But The Legend of Maula Jatt has tripled up those numbers.

    The Legend of Maula Jatt releases in cinemas across Pakistan and worldwide  - Minute Mirror

    Initial Release Issues In Pakistan

    Several cinema owners initially refused to screen the film due to a clash with the makers over commissioning ratios. Journalist Hassan Choudary shed light on the matter on Twitter.

    Film’s producer Ammara Hikmat exclusively confirmed to The Current that the news is factual.

    According to theatre owners, the makers and distributors of movies have been requesting more money than was specified in the contract. Film distributors and producers are asking for more money than was specified in the contract.

    In an official statement, Nueplex Cinemas have shared that they are not screening the film due to their exhibition terms, which are beyond the industry norms. Apparently, the film distributors are asking for more shares than what is considered normal in Lollywood.

    https://www.youtube.com/watch?v=vEa7cv11Fb0&t=521s

    Actor Syed Jibran called it a “deadlock” and said the distributor’s demand to increase ticket prices for a larger share was “very unwise” and a bad step. The Ghabrana Nahi Hai star took to Twitter on Friday and wrote that the deadlock happening at the moment for The Legend of Maula Jatt is between distributor Nadeem Mandviwalla and officials of Cinepax cinemas and Nueplex.

    Jibran suggested that instead of increasing the price, it should’ve been reduced to Rs800 instead of Rs1,200 or more so that revenues “go through the roof”.

    “Increasing the ticket price they are just decreasing the repeat customers. It’s short-sightedness. Plain and simple. This will badly damage the reputation as well as a chance to create a historic box office first day score for the film,” he reasoned.

    The actor added that of 122 screens in Pakistan almost 50 of the main multiplex screens have not yet released any schedule for The Legend of Maula Jatt a day after the film’s release, which he called “the most important trend setting first day of the film”.

    He called it a bad decision on the distributor’s part and demanded that the problem be resolved as soon as possible otherwise no one else could be blamed for the “underperformance of probably the greatest film of Pakistan ever made” other than ourselves.

    After two weeks of the film’s release, the screening issues were resolved, nationwide.

  • Amar Khan wants Lollywood to create more female-centered, commercially successful films

    Looking back at the year 2022, Pakistani cinema produced commercially and critically successful films like Kamli, Joyland and of course, Maula Jatt. This year was the start of listening to voices that didn’t just circle around men. Now actress Amar Khan has expressed hope that the conversation keeps going on, while the industry releases more movies that champion women voices and don’t revolve around male-centered notions.
    Yesterday on Twitter, the actress shared a post applauding the success of Bollywood movie “Gangubai Kathiawari” which has surpassed all other productions to become the number 1 movie at the Indian box office. The post applauded director and writer Sanjay Leela Bhansali for breaking the stereotype that women-led movies don’t become instant hits, and that movies infused with emotional dialogues rather than intense action scenes wouldn’t interest anyone.

    Amar Khan wrote that she hoped Pakistan would follow the same footsteps as its neighbor and soon start creating more films that were female-centered and also commercially successful.
    “Rab kare 2023 mein koi aik adh bhansali border k is paar bhi janam le.Warna we have never made a female oriented commercially succesful film.They continue to be male centric!!”

  • the good, the bad, and the cringe: here are some of the most trending drama scenes of 2022.

    the good, the bad, and the cringe: here are some of the most trending drama scenes of 2022.

    We had a good run with Pakistani dramas this year. They made us laugh, they made us cry and some made us cringe. While the chemistry between some on-screen couples positively sizzled, some scenes made us want to wash our eyes with bleach.
    However all was not lost. The year give us some mind-bogglingly hilarious scenes this year, and social media managed to make some amazing content out of them.
    Here are some of the top trending drama clips that went viral on social media in 2022.

    1. First on our list is obviously Aye Musht-e-Khaak, which began gaining attention on social media after a confusing conversation between a husband and wife went viral on social media. Twitter users were perplexed at how urgently the husband kept pressurising his wife to go on a honeymoon with him, and wasn’t able to avoid the elephant in the room.

    We have to give it to this show because even though it provided us with a done-to-dust, extremely cringey storyline that reeked of male entitlement, the memes they provided us with were top tier.
    Like this user making a meme out of Feroze Khan having a breakdown

    https://twitter.com/Ishq_jess/status/1495791982756909062?s=20&t=KoeN1M7Hzf_LSB0g6koZNA

    Or Feroze Khan losing it in the car.

    2. The second one on our list is obviously going to be the drama “Haqeqat” for giving us this absolute masterpiece of a scene.

    3. The absolutely cringey phone call between a stalker and a girl, which apparently was suppose to be a love confession by the former.

    Proposing to her with flowers? A trip to Paris or Italy? Boys, Danish Taimoor is here with notes on how to make a lady literally swoon. By threatening to shoot yourself. No big deal, huh?

    5.Thanks to this clip Pakistanis learnt a new word overnight “razai behen-bhai”:

    https://twitter.com/Humtvnetwork/status/1437400681145516038?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1437400681145516038%7Ctwgr%5E63e31b1f3b7fdcc5059c713d24c23b92427d62b8%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fniche.com.pk%2Fcelebs-and-twitter-users-cant-stop-talking-about-the-term-razai-bhai-behen%2F

    6. James Dean who? Haroon Kadwani became the new face of manchild in 2022. This scene managed to generate an entire generation of memes we will tell our grandchildren about someday.

    7. Shoutout to the memorable time when women all over Pakistan were told that having curly hair is wrong.

    8. We should also applaud how dramas came to address domestic violence and abuse in a honest, refreshing manner. Like this scene in Phaans, where the mother refuses to shelter her son after he stands trial for abusing his wife.

    9. While other dramas educated their followers on the toxicity of rishta culture and how they break down any woman’s worth and self-esteem based on how rich she is or her beauty. Like this scene in Sinf-e-Aahan, Sajal Aly’s character schools her parents for forcing her to keep adhering to the toxic rishta culture, when she wanted to join the army like her brother.

    https://twitter.com/sidk24/status/1464652314019434500?s=20&t=nAgZijXUnafkbHbEHzfBKw

    10. The wonderful drama “Doobara” shattered stereotypes when it focused on a middle-aged woman starting her life all over again after she was married off against her choice when she was young. Hadiqa Kiyani won hearts on the internet when this clip began trending online where Hadiqa’s character reminds her son and sister-in-law that she isn’t just a mom, but a living breathing human being who deserves to live her own life without feeling like a burden.

  • Shaan Shahid slams Fawad Khan, Hamza Ali Abbasi for ‘bad’ Punjabi dialogue delivery in ‘TLOMJ’

    Shaan Shahid slams Fawad Khan, Hamza Ali Abbasi for ‘bad’ Punjabi dialogue delivery in ‘TLOMJ’

    Star-actor Shaan Shahid believes that box-office kings Fawad Khan and Hamza Ali Abbasi should have worked harder on their Punjabi diction in The Legend Of Maula Jatt.

    The Waar hero was recently invited to the show Super Over, where the host of the show asked for his views on Bilal Lashari casting Khan for the role of “Maula Jatt” and not him.

    Shaan hasn't watched The Legend Of Maula Jatt.. He tells why - Lifestyle -  SAMAA

    Hosted by Ahmed Ali Butt, Shaan stated that casting depends on the director’s vision, however, Shaan said he feels that Hamza and Fawad didn’t do justice to the Punjabi language and accent. As actors, one must not give excuses that they don’t speak a particular language. If Pakistani actors are cast in an English movie, would they have the same issue? he asked.

    In an exclusive interview with The Current, host Uzair Anwer asked him, if a biopic gets made on him, which young actor would he want to essay him in the film? The veteran artist was given four options (Hamza Ali Abbasi, Ahad Raza Mir, Bilal Abbas, and Imran Ashraf). The Majajan hero wasn’t too excited about these younger actors playing him in his biopic. He In fact hinted that it should be Shaan himself who should feature in a film based on him.

    Shaan stated, “I think if they would have cast Sanjay Dutt in Sanju (2018), it would have been better.”

    https://www.youtube.com/watch?v=SlaPc83EuJ8&t=5s

    The actor said that it was difficult for him too in his initial days in the industry as he had come to Pakistan from New York. He told that he had to watch many Punjabi movies to learn the trait.

    Humaima Malik On The Legend Of Maula Jatt: “I Was Bilal Lashari's First  Choice To Play Daaro Nattni

    Shaan, however commended Humaima Malick on her incredible acting in The Legend of Maula Jatt.

  • ‘Was uncomfortable with him even in KAM3’: Iqra Aziz speaks her heart out against Feroze Khan

    ‘Was uncomfortable with him even in KAM3’: Iqra Aziz speaks her heart out against Feroze Khan

    Actor Iqra Aziz in an Instagram post announced last month that she is retracting from a project with Feroze Khan after he was accused of domestic violence.

    “To stay silent in the face of injustice is to side with the oppressor.’ In lieu of the situation regarding domestic violence, I have made the difficult but necessary decision to retract my project with Feroze Khan as a sign of support for victims of domestic abuse. I support Aliza Sultan for seeking justice, more strength and power to you,” she wrote in an Instagram post.

    After Iqra’s announcement, her sister Sidra took to her social media handle to share details of Iqra’s decision-making process while opting out of the project.

    Feroze Khan
    This image has an empty alt attribute; its file name is gtgfyhtujy-1.jpg

    Now Iqra has opened up on her decision in a chat show, the Ranjha Ranjha Kardi diva said she simply was not comfortable working with him after he was accused of domestic violence by his wife Aliza Sultan. She said everyone has the right to choose how they want to work and who they want to work with.

    Aziz appeared on The Talk Talk Show and talked about her retraction. “For me, it was a very personal decision. I did what I thought was right for me and [it was] what I wanted to do, what according to me was the right choice. I took a decision — I wasn’t comfortable working with him, so I said no. I wasn’t waiting for anything to be proved to take action because, before that, there was a time in which we worked together (Khuda Aur Mohabbat 3) and I wasn’t comfortable with him during that so I said no this time.” she said.

    The host summarised her point saying that the bottom line is it’s okay for an actor to have the liberty to say no if they’re uncomfortable working with someone. “Of course!” Aziz responded. “I think that we live in an era where, whether it’s a woman or a man, working in this industry or anywhere, other than the choice of career, they have the right to say yes or no to however they want to work according to their comfort level and to who they’re comfortable working with.”

    https://www.youtube.com/watch?v=votNCjjDXxI&t=1s

    The interviewer then asked her if her take would be any different if in the future the allegations proved to be false in court. “I think we have to wait for that time then. We can only decide that then, we can’t decide before time thinking what if this happens, just based on assumptions,” replied the Suno Chanda actor.

    When the host tried to dig into the matter some more, Aziz put a stop to it with an uncomfortable chuckle and asked him to leave it at that instead of delving deep into it.