Category: Entertainment

It’s not just the raw reality that the drama Case No. 9 is drenched in but the way that it’s expressed that has viewers hooked. You would think that rape was enough, but no, the drama also touches about the sensitive issue of blasphemy and the terror of fake social media propaganda.

If you’ve seen the drama, you have wondered why the rapist Kamran’s (Faysal Quraishi) best friend and business partner’s name is Rohit (Junaid Khan). At first, it was thought that maybe it was a way to include a minority in the story but in Episode 11, we find out that’s not the case.

Rohit reveals to his wife Manisha (Naveen Waqar) that he feels he has a moral obligation to support Kamran, despite knowing that he raped Seher (Saba Qamar) because when they were in college together Kamran had supported him when an angry mob came to the university to attack Rohit for alleged blasphemy. Kamran then stands up against the mob for his friend, convincing them that Rohit had done no such thing (which he had not) and that the people spreading the rumour were doing it for personal reasons. The crowd listens and Rohit owes Kamran his life. At least that’s how Rohit feels.

At first, it was a bit strange, an expectation that the drama was heading in a different, heavy direction but no. Writer Shahzeb Khanzada very smartly touched the issue, let it resonate with the audience and then moved on. 

Social media was also all praise for the way the sensitive issue was portrayed. 

#caseno9 touched on the issue of blasphemy law in a decent way. Kudos to the writer! https://t.co/Kh3MJNtrjG

— Rukha Dharamkoti (@MPS_BPPH) October 29, 2025

Bravo @shazbkhanzdaGEO for touching the most sensitive issue of blasphemy in #CaseNo9
No one, no one… ever wrote on it ever.

— Dr Shama Junejo (@ShamaJunejo) October 29, 2025

If Rohit thinks Kamran saved him from the mob and he’d be dead without Kamran. Kiran also stood by him.
She deserves to know the truth too.#CaseNo9 pic.twitter.com/eMkVdDv03F

— Chairman Meow Zedong (@AngryPeddler) October 31, 2025

SOCIAL MEDIA TRAUMA

Episode 12 was also very significant when it comes to what victims feel when propaganda is spread about them on social media. Kamran convinces his employee to hire a social media propaganda team to spread Sehar’s photo on social media and that she was after him and his money. The irony is not lost when it is hashtag ‘#JusticeforKamran’ that starts to trend on social media, which is a popular one when someone is standing up for a cause – not realizing it might be misused as well. The rape victim must be protected, says Sehar to her lawyer Beenish (Amina Shaikh) who agrees and says they would take it up with relevant authorities. But the damage is also done when people all around Sehar and her family realize what is happening with the family. The way the drama shows a team being hired to spread misinformation, from seemingly real accounts, makes you think twice about what you might believe on social media and it’s clear that it was done so you would feel that way. 

THE WOMEN

It is the women in the drama that are the real stars. They support each other and stand for each other, strong and able to handle the trauma that keeps hitting them. 

Beenish and Manisha stand by Sehar like mountains, and the way Manisha does so without even flinching, despite being married to Rohit, is heartwarming. Even Kamran’s wife, Kiran (Rushna Khan) is such a complex character with Rushna truly doing her justice. Kiran is stuck in a web of having to live and trust her child’s father but knowing that he has done ‘something’ wrong and watching Rushna act out the different feelings that Kiran is constantly experiencing really makes you feel for women who are married to manipulative men. 

The drama is on a constant high with no low in sight and despite expecting that Sehar will win in the end as good always does, it still keeps you on the edge of your seat because in reality, you never really know if truth in Pakistan will prevail.

Singer Asim Azhar has taken over social media, and this time, fans think their long-held suspicions might just be true.

After mysteriously deleting all his Instagram posts and leaving behind only a cryptic “Khuda Hafiz,” Asim finally broke his silence with a dramatic comeback video. The clip announced his much-anticipated solo album “Asim Ali”, set to release on November 24, but that was not what got fans talking.

The real shocker came when Hania Aamir appeared in the video. The ex-couple, who had parted ways years ago, were seen together, sparking an internet meltdown and instant rumours of a possible reunion.

In his post, Asim wrote, “On my 29th birthday, I want to introduce you to someone special. Until now, you’ve known Asim Azhar, but now it’s time to meet Asim Ali, my truest and most authentic self.” He added that “Asim Ali”, his first independent album, will finally be “yours soon.”

But fans were not exactly focused on the album name or even the release date. All eyes went straight to the fifth track on the list, “Lost and Found,” which featured none other than Hania Aamir. 

The comments section quickly exploded.

One user wrote, “Are we thinking what you’re thinking?” while another said, “Ab maza aye ga na beeru!” A third dropped fire emojis, writing, “Excited ❤️.” Someone else simply declared, “Calm before the storm ⚡️.”

Others were just relieved to see Asim back online. “Finally you posted,” one fan commented, while another screamed, “CANNOT WAIT!” followed by an all-caps “OH MY GOD.”

It seems Asim did not just announce an album, he also dropped a mix of nostalgia, curiosity, and maybe even a hint of a love story sequel that no one saw coming.

Actor Mawra Hocane, who is currently starring in the hit drama Jama Taqseem, has shared details about her role, wedding and whose side she was on in the drama.

Appearing on a podcast, Mawra was asked if she was on Team Laila, to which she said “more on Team Laila’s mom”, explaining she loved how blunt the mother was in the drama. 

In the joint family drama, which is taking the drama world by storm, Laila’s mother, played by Tazeen Hussain, is a very blunt voice of reason. She warns Laila, played by Mawra, before she marries Qais, played by Talha Chahour, that she needed protection from her in-laws and worried that Laila, the only child of a wealthy couple, would not be able to adjust in a joint family set up like that of Qais.

Despite being against the marriage, she agrees for her child’s happiness and even though at times you feel that Laila’s mom has not been there for her much, as a working woman, it’s clear that they have a very loving, supportive relationship. We also see her mother’s vulnerability when she retires from her decades-old teaching career and how Laila is there for her. 

During the podcast, Mawra went on to explain how the strength that Laila’s mother shows in the drama is what allows Laila to take a stand for herself, adding that she gives credit about her life and her career to her own mother, who was brave during an era when it was very difficult to be brave.

“It’s our legacy to take this bravery and resilience forward and that’s what the drama also shows,” Mawra explained.

During the conversation, Mawra also talked about her wedding, her movies, dramas and working in the industry for the younger generation.

Singer Falak Shabir has expressed support for the music reality show Pakistan Idol. The show has garnered plenty of praise along with controversies about some singers not allowing contestants to use their songs. 

Taking to Instagram, Falak announced that all Pakistan Idol contestants are free to perform any of his songs during the competition.

“I give Pakistan Idol permission to use all of my songs so that rising singers can have a platform to shine and represent Pakistan globally,” he wrote. “I fully support the judges and all the talented participants of Pakistan Idol.”

His statement came shortly after veteran singer Sajjad Ali revealed that participants are not allowed to perform his songs due to a copyright dispute with the show’s organizers.

During a press conference in Canada, Sajjad Ali said that the Pakistan Idol team had approached him to secure the rights to his music, but both parties failed to agree on financial terms. He noted that the limited selection of licensed tracks has affected the variety of performances, as “every contestant wanted to sing our songs,” and those who did “would receive significant admiration and possibly win the competition.”

According to Pakistan’s Copyright Ordinance of 1962, song rights are owned by the creator unless officially licensed or transferred. Any public performance or adaptation without permission is considered a legal infringement.

Sajjad Ali mentioned that most of the show’s licensed catalog comes from EMI Records, Pakistan’s oldest record label, which holds rights to the works of legendary artists like Noor Jehan, Mehdi Hassan, Nusrat Fateh Ali Khan, Strings, and Vital Signs.

The disagreement has prevented contestants from performing Sajjad Ali’s popular songs but has also reignited debate over copyright ownership, artist rights, and creative opportunities in Pakistan’s music industry.

Singer Sajjad Ali has stated that participants on Pakistan Idol are not allowed to perform his songs due to a dispute over copyright with the show’s organizers.

During a recent press conference in Canada, the artist stated that the Pakistan Idol team had approached him to secure the rights for his music, but both parties could not agree on the financial terms.

Ali noted that the limited selection of licensed tracks accessible to contestants has resulted in a lack of variety in the show’s performances. He pointed out that the organizers were unable to obtain rights for his songs and those of other artists, limiting the options available to contestants.

“Every contestant desired to sing our songs,” he remarked, adding that anyone who performed them would receive significant admiration and possibly win the competition.

While soke people agreed with him, most questioned his stance, calling it unfair to young performers.

One social media user wrote, “This is a very weird action.” Another commented, “We respect you a lot, but this statement is unnecessary.” 

Some argued that restricting songs limits creative expression on a platform meant to discover new voices. “Why didn’t you give the copyright claims? It’s a competition, contestants should be allowed to sing the song of their choice,” one person remarked. 

Another asked, “Why are they all so full of themselves? They know how hard it is in Pakistan to sing and make a career out of it. Why not have a heart and open it up for the new generation?”

According to Pakistan’s Copyright Ordinance of 1962, the rights to a song are exclusively owned by the creator unless licensed or transferred. Any public performance or adaptation without permission is deemed a legal infringement.

Ali emphasised that a significant portion of the show’s licensed catalog is sourced from EMI Records, Pakistan’s oldest record label, which possesses rights to a vast collection of works from artists like Noor Jehan, Mehdi Hassan, Nusrat Fateh Ali Khan, Strings, and Vital Signs.

The singer’s remarks come after other musicians criticized the show. The disagreement has prevented contestants from performing Sajjad Ali’s well-known songs, but it has also sparked debate over ownership, access, and opportunities in Pakistan’s music industry.

The team of living legend Abida Parveen has issued a statement to dispel widespread speculation regarding the singer’s health that emerged on social media in recent days. 

A message posted on Parveen’s official Instagram account declared that she is “perfectly healthy and well, Alhamdulillah.” The statement further highlighted that the false information circulating online had been “exaggerated,” with some media outlets reporting stories without confirmation or reliable sources.

“We have addressed this before, but it seems necessary to emphasize it again,” the statement mentioned. “Abida Ji is in perfect health. The rumors circulating on social media recently have been exaggerated, and reputable media organizations have been disseminating news without verification or any substantial evidence.”

Her team expressed gratitude for the concern shown by fans but urged them to check the validity of information before sharing. “We truly value your concern, but we ask that you verify the information you encounter on social media instead of passing it along without confirmation,” the statement explained.

The message also appealed to all media organizations to retract unverified information concerning Parveen’s health. “We formally call on all media outlets to remove any unverified content relating to Abida Ji’s health,” the team stated. “We regret any worry and confusion this may have caused her fans. Keep her in your prayers.”

This clarification came after a surge of false claims alleged that Parveen was gravely ill. Some posts even suggested she was battling cancer and that a hospital had refused to provide her treatment free of charge.These assertions gained traction across social media, raising alarm among her supporters.

Through the statement, her team reaffirmed that all such claims were unverified and rooted in misinformation. The post urged users and media channels to depend solely on credible sources before sharing or reporting health-related news.